Cristina De Middel photo journalistic series “Afronauts” captures the narrative of Zambia’s failed attempt to put man on the moon in a dignified, triumphant light. Zambia didn’t put space boots on the moon, but these photographs show a quilted portrait of not shattered, unattained dreams, but nationalist hope and determination. 
(via thefoxisblack)

Cristina De Middel photo journalistic series “Afronauts” captures the narrative of Zambia’s failed attempt to put man on the moon in a dignified, triumphant light. Zambia didn’t put space boots on the moon, but these photographs show a quilted portrait of not shattered, unattained dreams, but nationalist hope and determination. 

(via thefoxisblack)

“As Above, So Below” is a one of a kind public art experience, a projection mapping installation for multiple surfaces and multiple dimensions made for Immersed Surfaces by Light Harvest. Audiences physically entered the story and explored the shimmering surface as it ignited with messages and symbols. The production tested every technique in image-making conceivable in the short time frame, including stop motion animation, and the suspension of over twenty performance artists from fly wires at sixteen feet off the ground.